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Kartik aaryan shares new release date of shehzada with first look

Kartik Aaryan’s film ‘Bhool Bhulaiyaa 2’ made a big dent at the box office. The film made a strong collection and the film proved to be a super hit.

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2 years ago

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Bollywood : Kartik Aaryan’s film ‘Bhool Bhulaiyaa 2’ made a big dent at the box office. The film made a strong collection and the film proved to be a super hit. People have liked his film so much that the craze of the film was seen till after the 5th week of release. Now Karthik is in the headlines for his new film. The name of the film is ‘Shehzada’, with the new release date of which she has recently shared her first look, after seeing which fans are once again saying, ‘Hit Hai Boss’.

Kartik Aaryan is very active on social media and often keeps fans crazy through his pictures and videos. Recently, he shared his first look from his upcoming film ‘Shehzada’ and also updated the fans about the new release date of the film. The film was earlier scheduled to release in November this year, but now its date has changed.

Karthik updated his fans like this

Sharing a picture of himself from the film, Karthik wrote, ‘#Shahzada Returns Home 10 February 2023.’ Talking about his first look, Karthik is seen running fast. Along with the picture, he has tagged Kriti Sanon along with other crew members in his tweet.

 

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A post shared by KARTIK AARYAN (@kartikaaryan)


Fans reaction

Fans are very fond of Karthik’s look. But there are some of his fans who are disappointed with the release date of the film being pushed forward. A fan of the actor wrote, ‘From Dhamaka to Shahzada, this intensity suits you. Another wrote, ‘Yeh Bhi Hit Hai Boss’. A female fan of Karthik wrote- ‘This film of yours will also be a big hit… the sad thing is that the film will have to wait for months’.

‘Shehzada’ is the Hindi remake of Ala Vaikunthapuramlo

Shahzada is the Hindi remake of Allu Arjun’s Ala Vaikunthapurramuloo. Karthik will be seen with actress Kriti Sanon. Earlier, the pair of Karthik-Kriti has been seen in ‘Luka-Chuppi’. Apart from Karthik-Kriti, Paresh Rawal, Manisha Koirala, Ronit Roy and Sachin Khedekar are in important roles in the film.

 

View this post on Instagram

 

A post shared by KARTIK AARYAN (@kartikaaryan)


‘Shehzada’ is the Hindi remake of Ala Vaikunthapurramuloo

Shahzada is the Hindi remake of Allu Arjun’s Ala Vaikunthapurramuloo. Karthik will be seen with actress Kriti Sanon. Earlier, the pair of Karthik-Kriti has been seen in ‘Luka-Chuppi’. Apart from Karthik-Kriti, Paresh Rawal, Manisha Koirala, Ronit Roy and Sachin Khedekar are in important roles in the film.

Kartik Aaryan’s Fee

These days, actor Kartik Aaryan, who is enjoying the success of the film Bhool Bhulaiyaa 2, made his debut with the film Pyaar Ka Punchnama. Karthik’s monologues were well received by the audience. Karthik got Rs 1.25 lakh for Pyaar Ka Punchnama, while Rs 15 crore for Bhool Bhulaiyaa 2.

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Review

Gadar Mach Gaya!!

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8 months ago

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17 August, 2023

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Sunny Deol’s cinematic tsunami, ‘Gadar 2,’ shows no signs of ebbing. The movie, co-starring Ameesha Patel, not only achieved its best single-day earnings but also smashed through the Rs 200 crore milestone on August 15th! The film’s Day 5 saw an impressive collection of Rs 55 crore, setting a new benchmark for Independence Day releases. If the momentum persists, ‘Gadar 2’ seems poised to effortlessly cross the Rs 250 crore mark.

The iconic hand pump returns, along with its signature intensity. The once-young child has matured, crossing into Pakistani territory to confront adversaries just as his father did 17 years prior. ‘Gadar 2,’ a sequel to the acclaimed ‘Gadar: Ek Prem Katha’ (2001), presents a familiar tale in familiar surroundings, with character arcs and settings that bear the nostalgic weight of its predecessor. Nonetheless, it holds its ground as a one-time watch, offering pulsating action sequences that deliver an adrenaline rush. Notably, the film reintroduces some beloved characters from the original while introducing fresh faces. Director Anil Sharma charts a narrative course that both progresses the story and occasionally falters, striking a balance between engaging segments and occasional sluggishness.

In the midst of its few missteps, the final 20 minutes emerge as a redeeming spectacle.

Undoubtedly, the most thunderous applause resonates during Sunny Deol’s dynamic action sequences. Even at 65, Deol displays his masterful command over these scenes with apparent ease.

While the chemistry between Sunny Deol and Ameesha Patel presents a somewhat lackluster dynamic, the on-screen pairing of Utkarsh and Simrat manages to ignite sparks.

Yet, certain viewers opine that the romantic interludes between them could have been trimmed, as they contribute to extending the runtime to nearly three hours.

It’s during the climactic confrontation between Utkarsh Sharma and Sunny Deol, united as father and son against Pakistani forces, that the movie truly shines. The crowd’s enthusiasm reaches its zenith when Tara Singh’s hand once again grasps the iconic hand pump.

The original ‘Gadar’ was unleashed during heightened tensions with Pakistan. Today, the neighboring country occupies only a fraction of the Indian psyche.

Unapologetically, ‘Gadar 2’ steers clear of promoting ‘harmony’ between the two nations, aligning with its purpose to entertain rather than engage in political narrative.

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Review

Adipurush: A Disastrous Attempt at Epic Storytelling

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10 months ago

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18 June, 2023

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Adipurush, directed by Om Raut, falls far short of its ambition to deliver an epic cinematic experience. With its muddled storytelling, lackluster performances, and a misguided approach to adapting the Ramayana, the film ends up as a great disaster rather than a glorious triumph. Let’s delve into the reasons why Adipurush fails to live up to its potential and disappoints on multiple levels.
Misguided Adaptation:
One of the major flaws of Adipurush is its misguided approach to adapting the Ramayana. The film deviates from the essence of the original epic, reducing the profound mythological tale to a shallow and hollow spectacle. It lacks the depth, nuance, and emotional resonance that the Ramayana is known for, instead opting for superficial action sequences and exaggerated visuals that do little to capture the essence of the source material.
Weak Characterization and Performances:
Adipurush suffers from weak characterization and lackluster performances, further contributing to its disastrous outcome. Despite having a talented cast, the characters in the film feel one-dimensional and fail to evoke any emotional connection with the audience. Prabhas, who is known for his on-screen charisma, delivers a disappointingly flat performance as Lord Rama, lacking the gravitas and depth required for such an iconic character. Even the usually reliable Saif Ali Khan falls short in his portrayal of Ravana, failing to capture the complexity and menace of the character.
Poor Storytelling and Execution:
The storytelling in Adipurush is convoluted and poorly executed, leaving the audience confused and disengaged. The narrative lacks coherence and fails to establish a strong emotional core. The pacing is uneven, with abrupt transitions and a disjointed narrative structure that hampers the overall flow of the film. Additionally, the excessive reliance on CGI and visual spectacle detracts from the storytelling, making the film feel like a soulless visual extravaganza rather than a compelling narrative.
Inconsistent Visuals and Effects:
While Adipurush boasts impressive visuals at times, the overall visual execution is inconsistent. The excessive use of CGI often feels artificial and fails to seamlessly blend with the live-action elements. The visual effects, which could have been a highlight of the film, come across as overdone and distract from the storytelling. The lack of attention to detail and the reliance on visual spectacle over substance further contribute to the film’s disastrous outcome.
Lack of Emotional Resonance:
Perhaps the most significant flaw of Adipurush is its failure to evoke any emotional resonance. The film fails to capture the essence of the timeless themes present in the Ramayana, such as love, sacrifice, and the battle between good and evil. The characters’ motivations and emotional journeys are underdeveloped, leaving the audience detached and uninvested in their struggles.
In all, Adipurush is a prime example of a misguided attempt at epic storytelling. Its muddled adaptation of the Ramayana, weak characterization, lackluster performances, poor storytelling, and inconsistent visuals contribute to its status as a great disaster. Instead of capturing the essence and depth of the source material, Adipurush ends up as a soulless spectacle that fails to engage the audience on an emotional and intellectual level.
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